I’ve been blogging in my head a lot lately, which means unless someone builds a skylight it’s very hard to know what I’m thinking.
I use to consider myself lucky to cross the Mississippi River every morning. I liked to pretend (and I do this a lot) that I am a wise holy woman in her red jetta making a treck across the water three times before the sun sets.
I believed it made me blest. I believed I was above all people, most lucky.
Until the bridge fell--and now every morning it is an interesting journey into my psyche.
Will my stomach tighten if I'm in stop dead traffic on the Tenth Avenue Bridge while hearing the jack hammer to my left?
Can I avoid looking at the rubble?
Will I picture the body bags in my mind’s eye?
And sometimes I am just angry. I am angry that this is the only way to get to school and I don’t understand the crowds of people who come every morning to look at the wreck of 35w.
I counted three people with easels last week PAINTING. I want to roll down my window and yell what the fluck are you seeing or simply walk around with a video camera recording the reasons of why they have come, why they have made this journey so I can understand or relate to their journey.
I want to stop every car in front of me and ask them if their stomach also tightens, if they breathe in deeply when they have crossed to the other side.
I am a poet. I understand we are in a constant journey to death. I've never avoided it and sometimes I've even embraced it. I think I understood this frail line even before I understood parts of my own language.
I’ve known everything could change in an instant. It is not this fragility which frightens me but I’m bothered by the constant alienation from the human race—this visual reminder that I’m never or I do ever want to be, that person in the crowd. I can’t fit there and I’m not sure why.
I will be reminded three times today.
Sunday, September 30, 2007
Thursday, September 20, 2007
Tonight Ani Difranco and why it is good to be a poet living in Minneapolis
I sat three feet from Ani Difranco while she gave her first poetry reading EVER!!!
It was amazing.
More when my head is not full of buzzing
It was amazing.
More when my head is not full of buzzing
Tuesday, September 18, 2007
In the World of Art
Yesterday I needed to interview 7 people (one right after another) for an early childhood teaching position. Interviewing people is like going to the dentist—it is not fun but every so often it needs to be done.
Person number one: A really cool woman, who just moved from Seattle. We spent more time talking about Rebecca’s motel exhibit and why Seattle’s art scene might be edgier than Minneapolis than actually talking ABOUT THE JOB.
Person number two: came and introduced herself and....
me: Tell me about your history with teaching art?
her: The most important thing you need to know about me is that I BELIEVE IN JESUS!
me: Ummmmm well okay, can you tell me a little about your teaching?
her: I brought photos.... (I resisted asking her if they were of her and Jesus)
She then produced 200 photos of her and the same Three children, she was always in the center. They were doing a variety of art projects: draw your own creation story, trace your foot and color it in, this my friend an autumn leaf and so on.
her: (Because I’ve gone ABSOLUTELY numb at this point) What is the benefits package?
me: We have none. (trying to make it easy on both of us.)
her: What does it pay?
me: (I said the lowest number I could think of....like three dollars an hour or something)
her: Well....oh..... I think I am going to have to go out in the hall and talk to Jesus about this because I'm not sure if I can take the job.
me: You haven’t actually been offered the job yet so you might want to wait.
3-6 were a series of blond women, for some reason the teaching profession attracts blond women with long hair in droves and they blurred together in my mind, forming a creature with seven eyes.
number seven called a half hour before his interview.
him: Hi, this is Rob. I have an interview in a half hour and I need to know if you are GLBT friendly.
me: Yes, it is on our mission statement on our web page but yes we are.
him: Are you sure?
me: Well, I’m queer how FRIENDLY do you need me to be????
and that my friends was a day in the art world in Minnesota.
Person number one: A really cool woman, who just moved from Seattle. We spent more time talking about Rebecca’s motel exhibit and why Seattle’s art scene might be edgier than Minneapolis than actually talking ABOUT THE JOB.
Person number two: came and introduced herself and....
me: Tell me about your history with teaching art?
her: The most important thing you need to know about me is that I BELIEVE IN JESUS!
me: Ummmmm well okay, can you tell me a little about your teaching?
her: I brought photos.... (I resisted asking her if they were of her and Jesus)
She then produced 200 photos of her and the same Three children, she was always in the center. They were doing a variety of art projects: draw your own creation story, trace your foot and color it in, this my friend an autumn leaf and so on.
her: (Because I’ve gone ABSOLUTELY numb at this point) What is the benefits package?
me: We have none. (trying to make it easy on both of us.)
her: What does it pay?
me: (I said the lowest number I could think of....like three dollars an hour or something)
her: Well....oh..... I think I am going to have to go out in the hall and talk to Jesus about this because I'm not sure if I can take the job.
me: You haven’t actually been offered the job yet so you might want to wait.
3-6 were a series of blond women, for some reason the teaching profession attracts blond women with long hair in droves and they blurred together in my mind, forming a creature with seven eyes.
number seven called a half hour before his interview.
him: Hi, this is Rob. I have an interview in a half hour and I need to know if you are GLBT friendly.
me: Yes, it is on our mission statement on our web page but yes we are.
him: Are you sure?
me: Well, I’m queer how FRIENDLY do you need me to be????
and that my friends was a day in the art world in Minnesota.
Sunday, September 16, 2007
I keep checking my own blog to see if I’ve posted anything new. I don’t know what form of mental illness that is but I have it.
Tomorrow painters will come to change the color of the house. People keep telling me I will feel good once it is done but I keep thinking E, the girls and I could travel the whole world TWICE with what I’m paying painters.
And I know I have the skill but something about being three stories off the ground, hanging from the tower makes E’s face turn all red, when I suggest that I paint it by myself.
Our house is huge. It is on steroids and it was this teal blue color before I was married, before babies, before I believe I ever doubted myself. Now it is peeling blue, the magenta looks pink and I’m not quite sure I can see it any other color inside my head.
But I want to.....
Tomorrow painters will come to change the color of the house. People keep telling me I will feel good once it is done but I keep thinking E, the girls and I could travel the whole world TWICE with what I’m paying painters.
And I know I have the skill but something about being three stories off the ground, hanging from the tower makes E’s face turn all red, when I suggest that I paint it by myself.
Our house is huge. It is on steroids and it was this teal blue color before I was married, before babies, before I believe I ever doubted myself. Now it is peeling blue, the magenta looks pink and I’m not quite sure I can see it any other color inside my head.
But I want to.....
Monday, September 10, 2007
Things I would NOT allow if I was the editor of The Best American Poetry
dead people
fuck as a noun
real famous poets who could write ANYTHING, even on toilet paper and have it published
titles that are longer than the poem
any poem with the word Sappho in it
Greek heroes
Trojan Wars
Dionysus poems
All God poems with total denial of god as the ending line
Poems about a poem
in the style of or after so and so who is a far better poet than the poet writing the poem
poems about why it is hard to be a writer
literary theory in the actual poem
poems for a cat, even a dead cat
poems that are trying to be political by using the words bush and war in a couplet
Guantanamo Bay as a location poem
poems which begin with the word ZOOKS!
dead people
fuck as a noun
real famous poets who could write ANYTHING, even on toilet paper and have it published
titles that are longer than the poem
any poem with the word Sappho in it
Greek heroes
Trojan Wars
Dionysus poems
All God poems with total denial of god as the ending line
Poems about a poem
in the style of or after so and so who is a far better poet than the poet writing the poem
poems about why it is hard to be a writer
literary theory in the actual poem
poems for a cat, even a dead cat
poems that are trying to be political by using the words bush and war in a couplet
Guantanamo Bay as a location poem
poems which begin with the word ZOOKS!
Sunday, September 09, 2007
I have been cooking all day. I’ve made two chocolate cakes, one with coffee and Mexican coco and the other with dark, dark chocolate. I made Ratatouille with eggplant from the garden. I picked three others and left them on the counter b/c they are more beautiful than flowers and then I made butternut squash leek soup for lunch with sourdough bread.
E is fat and happy. The girls are fat and happy. And I am going to crawl into my bed and read.
Today when I was walking with Isabel I thought how wonderful the beginnings of seasons are, how you feel like you can do anything. Learn a new habit, bake a chocolate cake.
I’ve grown too old for Spring, now all I believe in is Fall.
E is fat and happy. The girls are fat and happy. And I am going to crawl into my bed and read.
Today when I was walking with Isabel I thought how wonderful the beginnings of seasons are, how you feel like you can do anything. Learn a new habit, bake a chocolate cake.
I’ve grown too old for Spring, now all I believe in is Fall.
Saturday, September 08, 2007
I read this new poem by Sinan Antoon in World Literature Today and thought it was brilliant. Actually I said out loud in the bookstore—I’d give my left boob to write this...
A Letter
Silently
I address them
The dead Iraqis
Where do we stand now?
Give or take a few hundred thousand?
….
Had you been birds,
Your disappearance might have caused some outrage
you could have flown en masse
over the metropolis,
clouded its skies for a few hours
in protest.
Meteorologists and bird-watchers
surely would have noticed
Had you been trees,
you would have made a beautiful forest
whose destruction would have been deemed a crime
against the planet.
Had you been words,
you would have formed a precious book
or manuscript whose loss
would be mourned across the world
But you are none of these
And you had to pass quietly and uneventfully
No one will campaign for you
No one cares to represent you
No absentee ballots have been issued or sent
You will have to wait decades
for a monument,
or a tiny museum.
If you are lucky
in provoking retroactive guilt
your names will be inscribed on a wall somewhere
But until then, you may welcome more to your midst
and form a vast silent chorus
of ghosts,
condemning the spectators and the actors
Exeunt Omens!
A Letter
Silently
I address them
The dead Iraqis
Where do we stand now?
Give or take a few hundred thousand?
….
Had you been birds,
Your disappearance might have caused some outrage
you could have flown en masse
over the metropolis,
clouded its skies for a few hours
in protest.
Meteorologists and bird-watchers
surely would have noticed
Had you been trees,
you would have made a beautiful forest
whose destruction would have been deemed a crime
against the planet.
Had you been words,
you would have formed a precious book
or manuscript whose loss
would be mourned across the world
But you are none of these
And you had to pass quietly and uneventfully
No one will campaign for you
No one cares to represent you
No absentee ballots have been issued or sent
You will have to wait decades
for a monument,
or a tiny museum.
If you are lucky
in provoking retroactive guilt
your names will be inscribed on a wall somewhere
But until then, you may welcome more to your midst
and form a vast silent chorus
of ghosts,
condemning the spectators and the actors
Exeunt Omens!
There was interview once with the woman (I don’t remember who) and she was talking about her husband who was a famous chef and she said, there are times when it seems easier to move out than to clean our kitchen.I feel exactly like that today. I made a list of all I need to do today while E is at a writing workshop and I decided just to leave---go to the farmers market, eat fresh cheese with tomatoes on the porch and read while the house, literally falls down around us. (there’s a pile of old siding on front lawn the size of my car and the house smell more like the cats than the people who live inside the house.)
But I won’t see it and I wont care.
It would BE easier to move!
Friday, September 07, 2007
Madeline L'Engle
“Why does anybody tell a story? It does indeed have something to do with faith—faith that the universe has meaning, that our little human lives are not irrelevant, that what we choose or say or do matters, matters cosmically.” Madeline L’EngleShe was the first person who told me I could write or maybe she wasn’t the first, maybe she was the only writer I had ever met and at seventeen she looked me straight in the eye, and said you will be a writer.
And I believed. Simply and foolishly that I could always DO THAT—it would never be something I had to work on. It was like speaking French, another tongue and it was always a trade I could fall back on.
I was right and I was wrong and so was she, now she has died which I knew she would soon b/c I had gotten an email saying she had Alzheimer. I knew that she would never sell her movie rights to Disney unless someone was making those decisions for her.
I had lunch with her two weeks after her husband died. I will never forget the way her voice tilted when she talked about how she missed him, how he was not there to call, to say she had made it to Maine safely. I blame her and my grandparents, my parents never had it, the need for that love, one which is everything, ties into your DNA and becomes part of your very existence.
I have hungered for it my whole life.
Somewhere in the sunroom I have a journal with a piece of paper taped to the cover---you are writer. Madeline wrote it down for me b/c she thought I might forget. I also have my writing from that day, how it felt meeting her and how I thought her voice should sound like mine. I need to dig it out. I think I might need to remember my young arrogant self.
Monday, September 03, 2007
These Are The Last Blue Days
and I want more.
Saturday we went to the used bookstore.
We have wonderful dates.
Below are the books I bought for a dollar. I am not sure where to begin.
Misgivings by C.K Williams
Surfacing and Life Before Man by Atwood
Things They Carried by Tim O'brien (already read it but it was a buck)
The Bastard of Istanbul by Elif Shafak
Don't Tell Anyone by Fredrick Busch
At the Own Woman Saloon by Tess Gallagher
Thursday, August 30, 2007
One more day...
One more day of doing art then a ten day vacation!
I spent the morning with ten elementary students designing our perfect world, each student was given a blank map and was asked to create their own countries, oceans, continents and then we had to make a government, decide in what ways we wanted our country to grow, what things we exported, how we lived.
Three boys got in a yelling match over the Atlantic Ocean.
We talked about why countries go to war, why Switzerland has so much money in their banks and why weapons aren’t the best export to have if you down own any fuel.
It was an amazing class. I taught half way through my lunch break.
Monday, August 27, 2007
Okay it should be noted here that I read this long after I named my blog.
From Mariana Marin’s Paper Children---I am on my third time through the book.
The Early Hours of the Morning
They had been given just enough power
to understand they would never have any
(but that was much later.)
They had been bought cheap:
Clusters of briars around their neck
and the road sprinkled with rice.
Upon their return
(but that too was later, much too late)
Some had their eyes put out
while other wore stones shackled to their ankles.
“This world in which we repeat ourselves stuttering”
“This world in which we repeat….”
They had been given just a long enough a chain
to wish for a real guillotine.
In the morning,
the early hours of morning.
From Mariana Marin’s Paper Children---I am on my third time through the book.
The Early Hours of the Morning
They had been given just enough power
to understand they would never have any
(but that was much later.)
They had been bought cheap:
Clusters of briars around their neck
and the road sprinkled with rice.
Upon their return
(but that too was later, much too late)
Some had their eyes put out
while other wore stones shackled to their ankles.
“This world in which we repeat ourselves stuttering”
“This world in which we repeat….”
They had been given just a long enough a chain
to wish for a real guillotine.
In the morning,
the early hours of morning.
What would you create if you could make a city out of cardboard?
I am at last count on my 64th straight day of making art with kids. I have four more to go.
It has been an amazing summer and I have 122 mosaic mirrors under my belt, 15 mummies, 30 metal cities, 22 deranged toys, a mess of cardboard, a 20 foot mural, three public art sculptures, 18 girls with power tools and a lot of other things I am not counting.
I know I am above all teachers most bless….
But I am tired, down to the marrow tired!!!!
Sunday, August 19, 2007
part of a new poem by ballard
I’ve come to claim everything
is beautiful and if you wake to this
in the morning, as if someone has turned
the knob or allowed your retina to receive
more light, just a small millimeter
so that all the world is brighter somehow,
it seems, this could be the definition
of joy. Nothing has changed;
paint falls away from the yellow door,
weeds grow between the uneven slabs
of concrete and it breaks open
the place which once believed
in goodness or the clean face of god.
Four Poems by Vera Pavlova
I think it will be winter when he comes.
From the unbearable whiteness of the road
a dot will emerge, so black that eyes will blur,
and it will be approaching for a long, long time,
making his absence commensurate with his coming,
and for a long, long time it will remain a dot.
A speck of dust? A burning in the eye? And snow,
there will be nothing else but snow,
and for a long, long while there will be nothing,
and he will pull away the snowy curtain,
he will acquire size and three dimensions,
he will keep coming closer, closer . . .
This is the limit, he cannot get closer. But he keeps approaching,
now too vast to measure . . .
——
If there is something to desire,
there will be something to regret.
If there is something to regret,
there will be something to recall.
If there is something to recall,
there was nothing to regret.
If there was nothing to regret,
there was nothing to desire.
——
Let us touch each other
while we still have hands,
palms, forearms, elbows . . .
Let us love each other for misery,
torture each other, torment,
disfigure, maim,
to remember better,
to part with less pain.
——
We are rich: we have nothing to lose.
We are old: we have nowhere to rush.
We shall fluff the pillows of the past,
poke the embers of the days to come,
talk about what means the most,
as the indolent daylight fades.
We shall lay to rest our undying dead:
I shall bury you, you will bury me.
(Translated, from the Russian, by Steven Seymour.)
From the unbearable whiteness of the road
a dot will emerge, so black that eyes will blur,
and it will be approaching for a long, long time,
making his absence commensurate with his coming,
and for a long, long time it will remain a dot.
A speck of dust? A burning in the eye? And snow,
there will be nothing else but snow,
and for a long, long while there will be nothing,
and he will pull away the snowy curtain,
he will acquire size and three dimensions,
he will keep coming closer, closer . . .
This is the limit, he cannot get closer. But he keeps approaching,
now too vast to measure . . .
——
If there is something to desire,
there will be something to regret.
If there is something to regret,
there will be something to recall.
If there is something to recall,
there was nothing to regret.
If there was nothing to regret,
there was nothing to desire.
——
Let us touch each other
while we still have hands,
palms, forearms, elbows . . .
Let us love each other for misery,
torture each other, torment,
disfigure, maim,
to remember better,
to part with less pain.
——
We are rich: we have nothing to lose.
We are old: we have nowhere to rush.
We shall fluff the pillows of the past,
poke the embers of the days to come,
talk about what means the most,
as the indolent daylight fades.
We shall lay to rest our undying dead:
I shall bury you, you will bury me.
(Translated, from the Russian, by Steven Seymour.)
Carolyn Forche and myself.....yes I know she is cuter;)
When I look at this photo, it feels so very long ago even though it has only been a few weeks. It was an amazing thing to have 15 strangers read your book from front to back. Yes, people have read my manuscript before and I am sure even a few judges set their coffee mugs on it but this was like getting naked and having a group of people look up and rest their eyes on you. I learned so much. I did good things in the book I didn’t even know I did. I told lies I didn’t mean to tell and now I trust it more. I understand it more. I feel more ready as a writer to have it go off into the world, yes now I have to get into some serious work but it has never felt right before. Now it feels right. I don’t know if this will last but this is what I wanted, not just to produce work or even be widely published but to know without a doubt it was the best the art at the time I could create.
Beautiful reading in The Sun this month and I really respect Sy Safransky, the editor—everything flows smoothly, yet diverse enough to still be interesting. He wrote me a note once when I first started writing and all I sent him was crap, he didn’t like it but he was very kind. He was human.
I love the idea of this journal, little bits of everything and I read it front to back and now I am reading it again. My favorite by Harriet Brown:
At 43
Awake in the dark, again,
I want each looming thing—
night table, dresser, chair—
to set its demons free,
settle for being ordinary.
Beside me, my husband
grinds his teeth,
damned like the rest of us
with the curse of breathing.
What I didn’t understand
On the other side of 40:
Despair, too, is something
to hold on to. I’ve got
my dead: a ribbon’s worth
of rabbit-soft gray fur
from the cat who was
my best friend through my 20’s
her name the first word
both my daughters said.
We buried her last winter,
Boiling pot after pot of water
from the frozen ground,
trying to dig deep enough.
We did.
I love the idea of this journal, little bits of everything and I read it front to back and now I am reading it again. My favorite by Harriet Brown:
At 43
Awake in the dark, again,
I want each looming thing—
night table, dresser, chair—
to set its demons free,
settle for being ordinary.
Beside me, my husband
grinds his teeth,
damned like the rest of us
with the curse of breathing.
What I didn’t understand
On the other side of 40:
Despair, too, is something
to hold on to. I’ve got
my dead: a ribbon’s worth
of rabbit-soft gray fur
from the cat who was
my best friend through my 20’s
her name the first word
both my daughters said.
We buried her last winter,
Boiling pot after pot of water
from the frozen ground,
trying to dig deep enough.
We did.
Subscribe to:
Posts (Atom)




